BIOGRAPHY |
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| 1960 |
Born, Quorn, South Australia |
| 1978-81 |
South Australian School of Art, Adelaide |
| 1987-88 |
Victorian College of the Arts, Melbourne Post-graduate Diploma (Painting) |
| 1991 |
Victorian College of the Arts, Melbourne (Master of Fine Arts) |
| 2001-8 |
Trustee, National Gallery of Victoria, Australia |
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Lives and works in Melbourne, Australia |
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| SOLO EXHIBITIONS |
|
| 2010 |
Decoy Nest, Greenaway Art Gallery, Adelaide
Performativities, Amelia Johnson Contemporary, Hong Kong |
| 2009 |
The Exquisite Pirate (South China Sea), OV Gallery, Shanghai, China
Performativities, Block Projects, Melbourne
The Exquisite Pirate, Embassy of Australia, Washington DC, USA |
| 2008 |
Decoy Nest, Block Projects, Melbourne
Decoy Nest, Postmasters Gallery, New York, USA
The Exquisite Pirate (Oceania), Greenaway Art Gallery, Adelaide
The Exquisite Pirate (China Sea), Amelia Johnson Contemporary, Hong Kong |
| 2007 |
The Exquisite Pirate (North Sea), Ter Caemer-Meert, Contemporary, Kortrijk, Belgium
The Exquisite Pirate (Large Craft), Kaliman Gallery, Sydney
The Exquisite Pirate (Yawk Yawk), 24HR Art, Northern Territory, Centre for Contemporary Art, Darwin |
| 2006 |
The Exquisite Pirate, Greenaway Art Gallery, Adelaide
The Exquisite Pirate, Postmasters Gallery, New York |
| 2005 |
Painting in the Dark, Kaliman Gallery, Sydney |
| 2004 |
A Week of Kindness, Greenaway Art Gallery, Adelaide
Prototypes and Multiples, Kaliman Gallery, Sydney |
| 2002 |
Shadow Farm, Bond University Gallery, Gold Coast
Daughter Architect, Kaliman Gallery, Sydney
Shadow Farm, Queensland University of Technology, Brisbane
Design Therapy, Greenaway Art Gallery, Adelaide |
| 2001 |
Shadow Farm, Bendigo Art Gallery, Bendigo
FamilyTreeHouse, Galeria Barro Senna Sao Paulo, Brazil
Femmage, Shadows and Symptoms, G2 Gallery Auckland New Zealand
Parameters Head: Design Therapy, Robert Lindsay Gallery, Melbourne |
| 2000 |
Shadow Farm, Wollongong City Gallery, Wollongong; Monash Gallery of Art,
Melbourne
Parameters Head, Experimental Art Foundation, Adelaide
Femmage (Shadows and Symptoms), Greenaway Art Gallery, Adelaide
Arco 2000 Project Room, Greenaway Art Gallery, Arco2000, Madrid, Spain |
| 1999 |
Femmage Frieze, Robert Lindsay Gallery, Melbourne
Femmage (Shadows and Symptoms), Fukuoka Art Museum, Fukuoka, Japan |
| 1998 |
Femmage (Shadows and Symptoms), Robert Lindsay Gallery, Melbourne |
| 1997 |
The Unhomely Body, Robert Lindsay Gallery, Melbourne |
| 1996 |
Dora Drawer, Robert Lindsay Gallery, Melbourne
The Unhomely Body, Contemporary Art Centre of South Australia, Adelaide |
| 1995 |
Imaginary Anatomy, Australian Print Workshop, Melbourne.
Itchy, Itchy, Robert Lindsay Gallery, Melbourne |
| 1994 |
Delicate Cutting, Robert Lindsay Gallery, Melbourne
Where I come from the birds sing a pretty song, Latrobe Regional Gallery,
Morwell, Victoria |
| 1993 |
Where I come from the birds sing a pretty song, Geelong Art Gallery, Geelong |
| 1992 |
Dress, Luba Bilu Gallery, Melbourne
Cut-Outs, Monash University, Gippsland School of Visual Art, Churchill |
| 1991 |
The Large Darn, Luba Bilu Gallery, Melbourne |
| 1990 |
The Printed Curtain, Luba Bilu Gallery, Melbourne |
| 1989 |
X-Ray Vanitas, Luba Bilu Gallery, Melbourne
Mad Woman in the Attic, 200 Gertrude Street, Melbourne |
| 1986 |
Roslyn Oxley9 Gallery, Sydney |
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| SELECTED GROUP EXHIBITIONS |
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| 2010 |
Stick It!, Collage in Australian Art, National Gallery of Victoria, Melbourne
Zhongjian : Midway, Mornington Peninsula Regional Gallery, Mornington
Northern Winter, Heilongjiang International Festival of Arts and Culture, Harbin, China
A Fairy's Tail, Hawkesbury Regional Gallery, NSW
Zhongjian : Midway, Tamworth Regional Gallery, NSW |
| 2009 |
Sh Contemporary, OV Gallery, Shanghai, China
The Garden at 4 A.M., Gana Art Gallery, New York, USA
Zhongjian : Midway - 15 Contemporary Artists from China and Australia, Beijing, Shanghai, Tianjin and Xiamen, China / and Wollongong City Gallery, Australia |
| 2008-9 |
Contemporary Prints and Drawings, The Johnson Museum of Art, Cornell University, Ithaca, New York |
| 2008 |
Maritime: Ships, Pirates and Disasters, Contemporary Art Galleries, University of Connecticut, Storrs, USA
The Exquisite Pirate, GAGPROJECTS, Berlin, Germany
Treescape, National Gallery of Australia, Canberra
The Exquisite Pirate, Scope Basel installation, Basel, Switzerland
The Contemporary Collage: Australian collage and assemblage, John Buckley Gallery, Melbourne |
| 2007 |
New History, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York
Float, Lake Macquarie City Art Gallery, NSW |
| 2006 |
El Pirata Esquisito, Jacob Karpia Galeria Art Basel/ Miami Beach, Miami
Segunda Primer Mundo, Jacob Karpia Galeria San, Jose Costa Rica
The Exquisite Pirate, Herbert F. Johnson Museum of Art, Cornell University, Ithaca,NY
Fantastic Voyages, Kaliman Gallery, Sydney
Circa Puerto Rico ’06, Greenaway Art Gallery, Puerto Rico
Art Taipei 2006, Greenaway Art Gallery, Taipei, Taiwan
2006 Contemporary Commonwealth,The Ian Potter Centre: NGV Australia, Melbourne, Australia |
| 2005 |
The Exquisite Pirate Jogja Biennale, Yogyakarta, Indonesia
Surface Charge, VCU arts Anderson Gallery, Richmond Virginia, USA
Where the wild things are, UTS Gallery, Sydney
Architypes, Canadian Embassy, Tokyo, Japan
Painting in the Dark, Arco 2005, Greenaway Art Gallery, Madrid, Spain |
| 2004 |
Architypes, Ivan Dougherty Gallery, Sydney, Australia
Place made, National Gallery of Australia, Canberra
Architypes, (six international artists) Charles H. Scott Gallery,
Vancouver, Canada;
Femmage, Arco 2004, International Art Fair /Greenaway Art Gallery,
Madrid, Spain |
| 2003 |
see here now, The Vizard Foundation Art Collection of the 1990’s,
Ian Potter Gallery,
The University of Melbourne, Melbourne
Fieldwork: Australian Art 1968 - 2002, The Ian Potter Centre: NGV: Australia,
Melbourne |
| 2002 |
Crime Scenes, Monash Gallery of Art, Melbourne,
Arid Arcadia: Art of the Flinders Ranges, Art Gallery of South Australia
Tales of the unexpected: Aspects of Contemporary Australian Art,
National, Gallery of Australia, Canberra |
| 2001 |
Figure-It, University of Tasmania Plimsoll Gallery, Hobart |
| 2000 |
National Works on Paper, Mornington Peninsula Regional Gallery, Victoria
Celebrating the Exquisite Corpse, Bendigo Art Gallery, Bendigo |
| 1999 |
Exploratory Behavior, National Gallery of Victoria, Melbourne
Re-emplace, (Sally Smart and Suzann Victor) Earl Lu Gallery, Singapore;
John Curtin Gallery, Curtin University, Perth |
| 1998 |
Unhomely, Sonje Museum of Contemporary Art, Kyongju and Seoul, Korea
Pusan International Contemporary Art Festival, Pusan, Korea |
| 1995 |
The Moët & Chandon Touring Exhibition 1995, Australian tour.
Recent Acquisitions: Deakin University Art Collection, Geelong Art Gallery
The Loti and Victor Smorgon Gift of Contemporary Australian Art, Museum of Contemporary Art, Sydney |
| 1994 |
The Moët & Chandon Touring Exhibition 1994, Australian tour
Skin, Contemporary Art Centre of South Australia, Adelaide |
| 1992 |
Moët & Chandon Touring Exhibition 1992, Australian tour
Victorian College of the Arts 1991 Post Graduate Exhibition,Ian Potter Gallery, The University of Melbourne
Margaret Stewart Endowment, National Gallery of Victoria, Melbourne |
| 1991 |
Moët & Chandon Touring Exhibition 1991, Australian tour
Selected Works from The University of Melbourne Art Collection, Deakin University Gallery, Geelong |
| 1990 |
Selected Recent Acquisitions, National Gallery of Melbourne, Victoria, Australia |
| 1989 |
Imaging Aids, Australian Centre of Contemporary Art/Linden Gallery, Melbourne |
| 1988 |
A Short Ride in a Fast Machine, 200 Gertrude Street, Melbourne |
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| AWARDS |
|
| 2006 |
Overseas Studio Residency (New York), Visual Arts Board, Australia Council, Sydney |
| 2004 |
New Work Grant, Visual Arts/Craft Board, Australia Council, Sydney
Export and Touring Grant, Arts Victoria, Melbourne
Redlands Westpac Art Prize, Sydney |
| 2001 |
Development Grant, Visual Arts/Craft Board, Australia Council, Sydney |
| 2000 |
Export and Touring Grant, Arts Victoria, Melbourne
National Works on Paper Acquisitive Prize, Mornington Peninsula
Regional Gallery |
| 1999 |
Overseas Studio Residency (London), Visual Arts/Craft Board,
Australia Council, Sydney
Arts 21 International Cultural Exchange Program Grant |
| 1998 |
Women Artists Grant, Arts Victoria, Melbourne
Victoria Cultural Development Grant, Arts Victoria, Melbourne
City of Melbourne International Travel Grant, Arts Victoria, Melbourne |
| 1995 |
Monash Graduate Scholarship, Monash University, Melbourne |
| 1991 |
Project Grant, Visual Arts/Craft Board, Australia Council, Sydney |
| 1989 |
ANZ Travelling Scholarship, Victorian College of the Arts, Melbourne |
| 1988 |
Fred Williams Family Prize, Victorian College of the Arts, Melbourne
St Kilda Prize Acquisition, City of St Kilda
Victorian College of the Arts Foundation Award, Melbourne |
| 1981 |
H.P. Gill Memorial Medal, South Australian School of Art, Adelaide |
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| COLLECTIONS |
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National Gallery of Australia; National Gallery of Victoria; Art Gallery of South Australia; Queensland Art Gallery; University of Tasmania Collection; Museum of Contemporary Art; Geelong Art Gallery; Latrobe Valley Regional Gallery; The University of Melbourne Art Collection; Deakin University Art Collection; Artbank; Victorian College of the Arts Foundation Collection; City of St Kilda; John Sands Collection, Melbourne; Charles Sturt University; Sam and Minnie Smorgon Collection; Queensland University of Technology; The Vizard Foundation Melbourne; BP Australia; New Parliament House; The Walter & Eliza Hall Institute; Queensland University of Technology; Bendigo Art Gallery; Banyule Art Collection; Mornington Peninsula Regional Gallery; Benalla Art Gallery; Wollongong City Gallery; Tarra Warra Museum of Art; Museum of New and old Art, Tasmania; Herbert F. Johnson Museum, Ithaca, NY, British Museum, London
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| SELECTED BIBLIOGRAPHY |
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Sabine Russ and Gregory Volk, Surface Charge ex., cat VCU arts Anderson Gallery, Richmond Virginia, USA 2005
Pete Hume, The Arts on the wall, Richmond Times – Despatch September 23,
Virginia 2005
Murata Yuko Architypes, Real Tokyo, Japan, 2005
Sebastian Smee, The Shapes of Private Memories, The Australian, March 17,
Sydney 2005
Felicity Fenner Architypes ex.,cat, Charles H. Scott Gallery, Vancouver, Canada 2004
Sally Smart Family Tree House art.es magazine, Madrid Spain 2004
Deborah Hart Daughter Architect, Art and Australia, Vol. 42, Summer 2004
Felicity Fenner A Week of Kindness ex., cat Greenaway Art Gallery, Adelaide 2004
Georgina Safe A passion to represent The Australian /Feature/Feb 7 2004
Penny Webb Darkness and Day, The Age, September 24, 2003, Melbourne
Chris McAuliffe see here now The Vizard Foundation Art Collection of the 1990’s, Ian Potter Gallery, The University of Melbourne, Melbourne 2003
Cynthia Wild Conversation Piece Meanjin June 2003 Melbourne
Anna Gray (Editor) Australian Art in the National Gallery of Australia, 2002,Canberra
Deborah Hart Tales of the Unexpected;aspects of contemporary Australian art (exhibition catalogue) National Gallery of Australia, Canberra 2002
Sasha Grishin Flights of fantasy into an alternative reality Canberra Times,
Canberra July 2002
Deborah Hart Art on view National Gallery of Australia Canberra 2002
Alisa Bunbury Arid Arcadia :Art of the Flinders Ranges, Art Gallery of South Australia, Adelaide 2002
Erin O‚Dwyer Tragic Edge to Farm Images The Courier Mail Brisbane 5 July 2002
John Neylon Disruptive The Adelaide Review , Adelaide May 2002
Wendy Walker Skirting around with designs The Advertiser, Adelaide May 13 2002
Christopher Marshall Interpreting Art Macmillian Melbourne 2001
Megan Backhouse Pointedly poignant pin-ups The Age, Melbourne, Mar 5 2001
Karen Ward You must go beyond the obvious Bendigo Advertiser Oct 13 2001
Maria Kunda Shadow Farm (exhibition catalogue) Bendigo Art Gallery 2000
Camila Molina Brasil e Australia na Baro Senna O Estado De S. Paulo,Sao Paulo, Brazil, 28 Jul 2001
Rodrigo Moura Sally Smart retira imagens da sombra Folha Sao Paulo,
Brazil Jul 26 2001
AnneMarie Kiely Smart Art Belle Magazine March 2001
Peter Timms Parameters Head:Design Therapy, The Age, Melbourne Mar 14 2001 Maria Kunda Riddles (exhibition catalogue)Tasmanian School of Art 2001
Helen McDonald Erotic Ambiguities Routledge London 2001Helen McDonald, Erotic Ambiguity Routledge, London, 2000
Stephanie Radok, Parameters Head: A la Ronde Artlink Vol20 #4 December 2000
John Neylon, “Haunting of the EAF” The Adelaide Review October 2000
Christopher Chapman, Four Scenes,Parameters Head:A La Ronde (exhibition catalogue)Experimental Art Foundation, Adelaide, 2000.
Marcus Baumgart, Parameters Head:A La Ronde (exhibition catalogue) 2000
Wendy Walker, Layers of Modernism, The Advertiser, Adelaide, April 2000
Rachel Kent, Family Tree House (exhibition catalogue) Arco 2000, Project Room, 2000
Sasha Grishin, Australian Painting Now Edited by Laura Murray Cree and
Nevill Drury, Craftsman House,Sydney 2000
Lara Travis, Re-emplace (exhibition catalogue), Earl Lu Gallery, Singapore, 1999
Binghui Huangfu, Re-emplace (exhibition catalogue), Earl Lu Gallery, Singapore, 1999
Rachel Kent, Disturbing Narratives: Sally Smart’s Femmage (Shadows and Symptoms) exhibition catalogue, Melbourne 1999
Jenny Zimmer, Anatomy of a young artist: Sally Smart”, State of the Arts,
Victoria 1998-99
Robert Rooney, Smart’s Art Foxes Clever, The Australian, 9 October 1998
Anna Clabburn, “Installation Success”, The Age, 30 September 1998
Kim Mi - hui, “Conceptions of Home Altered in Unhomely” Korean Times 7/8/1998
Jason Smith, Unhomely, Exhibition Catalogue, Artsonje Museum Kyongju and Seoul, Korea, 1998
Anna Clabburn, ‘Sally Smart’s Mind Games’ Australian Art Collector
No. 3, 1998, p46-49
Kirsty Grant, “Commission 200 Insects” National Gallery Victoria,
Magazine June/July 1998
Adrian Montana, Geelong Art Gallery, Education Kit, 1997
Donald Williams & Colin Simpson Art Now Contemporary Art Post – 1970, McGrawHill, 1996
Sally Smart, ‘Dora Drawer’ exhibition catalogue, Robert Lindsay Gallery,
Melbourne, 1996
Charles Green, Exhibition Review, ‘Itchy Itchy’, Art Forum, New York, USA May 1996
Helen McDonald, ‘Feminising the Surreal’ Art and Australia Vol 34, 1996
Robyn McKenzie, ‘In reality, there’s no place like home’, The Age, Melbourne, 24 September 1997
Jenny Zimmer, ‘Sally Smart: Prosthetic Parts’, Imprint, Melbourne, Autumn 1996,
vol 31, no 1, p.7-8
Stephanie Radok, ‘Furniture and the body’, The Adelaide Review,
Adelaide, May 1996. (p. 28).
Helen McDonald, The Unhomely Body, Contemporary Art Centre of South Australia, Adelaide, 1996
Helen McDonald, ‘Feminism and the Republic’, Vox Reipublicae (eds J Hoorn and DGoodman) 1996
Anna Clabburn, ‘Sally Smart:Itchy Itchy’ Asian Art News, Hong Kong, Nov/Dec 1995,
Robert Lindsay,The Shell Collection of Contemporary Australian Art,
Melbourne 1995
Jenny Zimmer, Cut-Outs, Craft Victoria, Winter 1995
Jenny Zimmer, ‘Metaphor in Body Parts’, The Age, Melbourne, 17 May 1995.
Peter Timms, The Moët & Chandon Touring Exhibition, (exhibition catalogue), Melbourne, 1995.
Janine Burke, ‘Anima: Feminist art since the seventies’, Art and Australia, vol. 23/ no. 3, Autumn 1995, Fine Arts Press, Sydney, 1995.
Sasha Grishin, Searching for Clues for Interpretation, The Canberra Times, 1994
Amanda King, ‘A secret garden: the work of Sally Smart’, Australian Art
Monthly, November, No. 75, Canberra, 1994, (plus cover illustration).
Amanda King, Delicate Cutting, (exhibition catalogue), Robert Lindsay Gallery, Melbourne, 1994
Peter Timms, The Moët & Chandon Touring Exhibition 1994, (exhibition catalogue), Melbourne1994.
Helen McDonald, ‘Where I come from the birds sing a pretty song’, (exhibition catalogue), Geelong Art Gallery, Geelong, 1992
Amanda King, ‘Sally Smart: Dress’, Agenda, Melbourne, January-February, 1993.
Rebecca Lancashire, ‘Intent on unravelling our patchworked past’, exhibition review, The Age, Melbourne, June 1992.
Christopher Heathcote, exhibition review, The Age, Melbourne, June, 1992.
Helen McDonald, Dress, (exhibition catalogue), Luba Bilu Gallery, Melbourne, 1992.
Alison Carroll, The Moët & Chandon Touring Exhibition 1992, (exhibition catalogue), Melbourne, 1992.
Ray Edgar, ‘Dress’, exhibition review, The Melbourne Times, Melbourne, June 1992.
Jude Adams, ‘Skin’, exhibition review, Artlink, Vol 12, Adelaide, 1992.
Jyanni Steffensen, Skin, (exhibition catalogue), Contemporary Art Centre of South Australia, Adelaide,1992
Women’s Resource Centre, Nonagon, Nine Australian Women Artists, slide kit, Melbourne 1991 Alison Carroll, The Moët & Chandon Touring Exhibition 1991, (exhibition catalogue), Melbourne 1991.
Helen Topliss, ‘Contemporary Issues: the fifth Moët & Chandon’, Art and Australia, Fine Arts Press, Sydney, Spring 1990.
Graeme Sturgeon, ‘Art: Six names to watch’, Australian Collectors Monthly, Sydney, November- December 1990.
Peter Hennessey and Patricia Piccinini, Sally Smart: The Printed Curtain, (exhibition catalogue),Luba Bilu Gallery, Melbourne, April-May 1990.
Judith Womersley, ‘Great Expectations’, The Sunday Age, Melbourne, 7 January 1990.
Christopher Heathcote, ‘The myth of unified mainstream’,Australian Art Monthly,1989.
Fiona Scott-Norman, ‘House of puzzles’, The Sunday Herald, Melbourne,
19 November 1989.
Scott Brown,‘Sally Smart: X-Ray Vanitas’, exhibition review, Art Beat,
Melbourne, April 1989
Christopher Coventry, X-Ray Vanitas, (exhibition catalogue), Luba Bila Gallery, Melbourne,April 1989. |
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